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Featured
Artist - Marion Pearson
Salmon
Galleries is proud to present current works by Marion
Pearson.
Please
click here for Marion
Pearson's Art Resumé.
Please
scroll down for detailed images.
As an artist, Marion works predominantly in the media of print and paint
however the core of her works rests within her drawing practice. Her
experience with drawing encompasses over 20 years of life drawing as
well as a sub-major in experimental drawing undertaken in her Honours
Degree at the ANU. Over the last few years it has been the delicate austerity
of Icon painting combined with the lush surfaces of the gold and jewel
encrusted framing devices that have influenced her work. As well, the
Romanticism and Gothic sensitivities inherent in the art of the Pre-Raphaelites
have influenced the painted surfaces of her current work.
This
most recent series looks at the how we use different aspects of ourselves
to show to the outside world, the flirtatious, the sombre,
the thoughtful, the confident to name but a few. These aspects of ourselves
act as masks protecting us from anything that might disturb the fragile
surfaces and inner peace of our personalities. We also use different
objects to masque our own thoughts while manipulating those around us.
In the Twentieth Century we went so far as to use make up and surgery
to create the facades we so desired. Historically, some of the most powerful
forms used to disguise or create a powerful sense of mystique are masks
and fans. They allow us to go beyond the normal bounds of personal concourse,
sometimes leading to quite outrageous behaviour.
Often the many selves that make up our personalities have evolved to
suit certain situation, at work one might be more considered and contained
while the self at home is brighter, more fun. The most personal self
we allow to be seen is probably the lover yet there is still a very private
and intimate part of the self that is only known and can only be known
by ourselves.
Much of the new work also combines
large areas of patterning. At a recent visit to Sydney, Marion was
moved by the beautiful and complex designs
of Middle Eastern weavers, whose work was on exhibition at the Power
House Museum. It is their work that has inspired a more complex and colourful
approach to pattern making in the most recent work.
Perhaps the viewer will see something of the different aspects of themselves
in the works as they journey through the exhibition.
For further information,
please
enquire at Salmon
Galleries.
Current Works
Click images
for more detailed view.
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Fans
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Looking Inwards
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Mask Series 1
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Mask
Series 3
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Mask
Series 5
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Technique
Working on a white acrylic gesso
ground, meticulous drawings are made of the subject - often worked
and reworked to create the delicate yet
richly detailed surfaces. Using brushes and other tools to manipulate
her work, Marion creates drawings that are almost a mix of liquid and
dry media. What emerges in her drawings are the most delicate and fragile
greys and blacks. Once the final drawing has been completed, decisions
are made as to whether to paint or not, what surface best suits the images,
etc.
Many of Marion’s surfaces combine the drawings
with Ink and acrylic paint utilising the subtle layering properties
available from both media
to create subtly complex areas of layering within the image. The transparency
of the second layer allows the patterned surface to emerge like a subtle
tapestry some areas more defined that others. It is these surfaces that
relate most fully to the lush Gothic sensibilities of the Pre-Raphaelites.
They also work as a wonderful foil for the more austere surfaces of those
areas left without colour.
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